Happy New Year, 2019!

Happy New Year from AlbinoPigGorilla Studio.

We are busily working on four projects in 2019.

Santa Barbara is in its first draft form as a feature-length screenplay. This is an animated feature about a Stork who gets injured while delivering a baby. At his crash site in the forest they meet Sasquatch, a Bigfoot, and eventually agreed to help each other deliver Sasha. But Sasquatch has a pesky Bigfoot hunter on his tail and the Hunter soon realizes that he’s onto not one but two mythical creatures and he’s going to be rich and famous as soon as he can capture them.

The script is 83 pages, so approximately 83 minutes, and we have a few people reading it see if it works.

The InvestiGator is a retired police detective Crocodile who hates being called “The InvestiGator” and who now only focuses on lost dog cases. However, being a brilliant but underestimated detective, Croc can’t help but sniff out crime and corruption. This leads him to uncover several murders, a large-scale fraud scheme, and an attempt to frame him for most of it.

We’re narrowing down the basic character design for The InvestiGator in preparation to pitch it to Frederator Studios. We’re also hammering out the broad strokes on the story arc for 3 or 4 seasons.

Up Late… is an animated late night talk show parody about a drunk who hosts a talk show from his crappy apartment. But what’s really going on gets revealed as our host, Giuseppe, gradually starts to realize that his reality is not exactly what he assumes it is. This “show” isn’t as great as he thinks it is. What’s more, it’ probably not even a show, more like penance for something he did.

Wild Pugs is an animated short about a family on a camping vacation whose tasty and aromatic picnic is suddenly disrupted by a marauding horde of unknown ravenous creatures. It comes down to mom to save the day.

We have a preliminary animatic of the whole story clocking in at about two and a half minutes. We’ll be animating this in After Effects and are excited to see it finished.

Front cover design for the novel Oxygen Wars by Melton Cartes
Oxygen Wars by Melton Cartes

Recently we launched a publishing arm called AlbinoPigGorilla Press and we re-released a novel by one of us called Oxygen Wars. Originally written as a feature-length science fiction screenplay, Oxygen Wars is the story of a dirt planet that is home to thousands of armored human clone soldiers fighting an endless war. Damage sustained by one soldier’s communication system renders Angus invisible and alienated from his fellow soldiers, but free for the first time in his life to question the war as his dormant humanity finally awakens.

Check out our website, www.alibinopiggorilla.com to keep up on our projects and progress. We also have a Patreon and a GoFundMe page if you’d like to support us.

Our Latest Cartoon Pitch: Up Late…

Giuseppe (30s) is in a dream, in a bed, in a hospital, in a coma, surrounded by his loved ones…due to a drunk-driving incident.
Giuseppe begins by hosting plain old crappy guests, whatever he can scrape up, but as the episodes play out he hosts odder and odder celebrity guests — ‘Lil Wayne,’ ‘Beyoncé,’ ‘Maybe Matt Damon’ — some of whom turn out to be the Spirit Goblin in disguise who is trying to advise him on what he should do to make amends and put his life back together. The object of his affection, a lady bartender, appears on his show as well in oddly confusing ways.


A inebriate layabout hosts a late night talk show from his crappy apartment, which could actually just be a dream or that he’s stuck in a purgatory-like coma.

An Explosive Scene

Angus leaps to safety, along with some Attackers and Defenders, as the reactor blows.

What happens when you’re no longer a controlled pawn in a war?

“Melton Cartes’ Oxygen Wars has all the earmarks of a classic. Mr. Cartes has been able to combine the human emotions of wonder and the search for peace with the all too prevalent human lust for war in a way that can be understood by every generation. Though Oxygen Wars is set in a time that is centuries in our future, then as now, war rages on. And although Cartes’ warriors are genetically created, the soul of man is with them. This is a sleeper that will wake your heart and imagination. It is a must read for science fiction buffs and also those of us who enjoy reading of the triumph of the human spirit.”

— Jeanne M. Evans
The main character Angus leaps to safety as the terraforming plant's nuclear reactor blows.
Angus leaps to safety, along with some Attackers and Defenders, as the reactor blows.

Using his newly woken instincts, Angus has achieved something no one has done in a long time, a reactor meltdown of a terraforming plant.

Cover Design for Oxygen Wars novel

Buy Oxygen Wars now from Amazon or your favorite online book retailer in paperback or e-book.

#conceptdrawings, #productiondesign, #sciencefiction, #novel, #scifinovel, #clones, #digitalpainting

Oxygen Wars, the Novel

Check out my novel, OXYGEN WARS, available from all online book retailers, paperback and ebook.

War has finally become corporate —

There is a significant difference between waging a war and winning a war. Technology will make the former an automated function while the latter will remain the responsibility of humans. Automation will make it easier for corporations to direct their will throughout the universe while the price, as usual, will be paid by the pitiful foot soldier.

Angus…

Faraway in a distant future, a desolate dirt planet is home to thousands of human clone soldiers fighting an endless war in fully-mechanized, armored atmosphere suits. Damage sustained to one soldier’s communication system during battle renders him invisible to his comrades. Unrecognizable without his communication chip, Angus is on his own.

Left to his own devices, Angus wanders the planet in search of some direction.

Monica…

Injured during battle, Monica is found by Angus buried under debris. Alienated from their fellow soldiers, they are free for the first time in their lives to question the relentless automation that has driven them. As they learn the truth behind the war and their forsaken world, their dormant humanity finally awakens.

The Screenplay

Oxygen Wars is an idea that first took form as a screenplay with the collaboration of my friend and frequent writing partner Daniel Merritt. We had this idea way back in high school. As time goes by, this concept gathers more and more pertinence, particularly as the world becomes more aware of the privatization of security and military forces.

Absent the control from the main computer running the war, Angus’ dormant humanity emerges as he slowly acknowledges the hostile beauty around him.

Reviews

The novel was originally published through Heliographica Press, when I was part of that startup. The following reviews are from the Amazon page for the first edition.

“Melton Cartes’ Oxygen Wars has all the earmarks of a classic. Mr. Cartes has been able to combine the human emotions of wonder and the search for peace with the all too prevalent human lust for war in a way that can be understood by every generation. Though Oxygen Wars is set in a time that is centuries in our future, then as now, war rages on. And although Cartes’ warriors are genetically created, the soul of man is with them. This is a sleeper that will wake your heart and imagination. It is a must read for science fiction buffs and also those of us who enjoy reading of the triumph of the human spirit.”

— Jeanne M. Evans


“Angus 7873 begins simply as another soldier in another war in another place. The author does a masterful job in transforming this human clone soldier into a quite believable character. I read few science fiction books because I often get lost in the details of the numerous gadgets, plot twists and similar matters that are possible with that genre. Oxygen Wars, however, has a crisp plot, few characters and was a good three sitting read for me.”

— D. R. Smith

“…the strength of this book is in the themes the author has selected. Specifically, rather than going with the typical good v. evil plotline so common in science fiction, the author chose to explore something much deeper: are we objective thinkers or merely doing as we’re told; do we live to work or work to live; the power of questioning society to assert our personal freedom. Although there’s plenty of combat and action in the book, it’s these solid themes that the average person will relate to.”

— M. Rozmarin

Our New Partner

We are happy to announce the addition of a third partner to AlbinoPigGorilla Studio, our great friend and colleague Tim Houston.

Tim is a very talented animator, illustrator, producer, and writer. He has a wealth of knowledge about live-action and animated movies, comic books, and games.

Launte and I met Tim when we were studying animation in San Francisco. When we formed AlbinoPigGorilla Studio earlier this year, 2018, we were in conversation with Tim on several projects. As time went on it became clear to Launte that Tim was, in one way or another, involved in our projects and probably should officially be part of the team and so he brought up the idea of formally inviting him to join us.

We’re happy to say that Tim has accepted and joined us and we look forward to making a lot of cool things together. First up, Tim and I are taking the lead in developing and writing the story for The InvestiGator, a story that is evolving into a fun, weird and challenging story of intrigue, corruption and murder.

Help us welcome Tim Houston to AlbinoPigGorilla Studio.

— MC

The InvestiGator: Rough Sketches Pushing the Look

One of our approaches has been to make InvestiGator top-heavy, kind of like Pixar’s Mr. Incredible; big shoulders, arms, with little legs. Another detail has been to make his head big and prominent.

But then we looked at making his body more “human-like” in proportions.

This drawing directly compares the big shoulders proportions versus the more human-like proportions. 

Here we started exploring how to emphasize InvestiGator’s “crocodileness.” Here we removed the cartoony nose and emphasized the reptilian eyes/skull. These drawings were influenced by looking at pictures of baby crocodiles since nature has its own way of caricaturing the look of species across the planet; big eyes, larger head, minimized mouth.

Then we started to incorporate the signature crocodile facial feature of the “zig-zag” mouth line and we also started to consider how to treat the teeth. Do we include them, hide them, turn them into the line itself as a zig-zag? Do the teeth come out when he’s upset…? More things to consider. 

So, these next drawings further explore the zig-zag crocodile mouth as central to InvestiGator’s character design, including what the corners of the mouth do in the neutral position/facial expression as opposed to smiling or reacting.  

This last drawing is an attempt to focus more on the character design elements by simplifying the drawing tools. If you have a bigger bolder crayon, it’s harder to get distracted by details and hopefully easier to see what exactly makes InvestiGator The InvestiGator.

The InvestiGator: More Character Design Development

Here are some variations on The InvestiGator’s specific look and feel. The InvestiGator is not an alligator. He’s a crocodile and he hates being referred to as The InvestiGator.

The Chihuahua (like The InvestiGator actually) is from one of our character design challenges and in this case this was the result for a suicidal bomb disposal chihuahua. He might become a villain in one of the episodes we’re writing.

More to come.